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Deaf American Prose

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 Product Description

In Deaf life the personal narrative holds sway because most Deaf individuals recall their formative years as solitary struggles to understand and to be understood. Few deaf people in the past related their stories in written form relying instead on a different kind of oral" tradition that of American Sign Language. During the last several decades however a burgeoning bilingual deaf experience has ignited an explosion of Deaf writing that has pushed the potential of ASL-influenced English to extraordinary creative heights.

The works in Deaf American Prose frame the Deaf narrative in myriad forms: Tom Willard sends up hearing patronization in his wicked satire "What Exactly Am I Supposed to Overcome?" Terry Galloway injects humor in "Words " her take on the identity issues of being hard of hearing rather than deaf or hearing. Other contributors relate familiar trials such as Tonya Stremlau's account of raising twins and Joseph Santini's story on the impact on Deaf and hearing in-laws of the death of a son. The conflicts are well-known and heartfelt but with wrinkles directly derived from the Deaf perspective.

Several of the contributors expand the Deaf affect through ASL glosses and visual/spatial elements. Sara Stallard emulates ASL on paper through its syntax and glosses and by eliminating English elements a technique used in dialogue by Kristen Ringman and others. Deaf American Prose features the work of other well-known contemporary Deaf writers including co-editor Kristen Harmon Christopher Jon Heuer Raymond Luczak and Willy Conley. The rising Deaf writers also think in terms of what they can bring to English not what English can bring to them. [Editors Kristen Harmon and Jennifer Nelson; (2012) 320 pages; soft cover]"

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